From the James Bond Saga to the epileptic “Enter The void” (by Gaspard Noé), who didn’t keep, in a corner of his memory, a souvenir of particularly well-made titles? And yet this major cinematographic element is rarely studied.
Placed at the beginning or/and at the end of a movie, mixed visual fragment scattered with signs and hints, it carries concrete information (title, name of actors, technicians...).
Beyond all this, it generally creates expectations, sometimes leads to false tracks, and opens new scopes. Opening credits are like a signature, and even more in some cases, it is the “skeleton” of the film.
Perhaps a bit more of an illustration would have given us more to go on here.
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